thefatoublog: maryzo designs

Okay, so those of you who know me personally know that for designers like Mary-Ann Kai Kai of Madame Wokie, Amizo Bah of Maryzo Designs, and Kadiatu Kamara of VIVID that i continually repeat the following: 1. They need to work BETTER together, 2. Be GOOD to their customers with consistency and reliability 3. Continue to push the boundaries! THE ODDS will continue to be against these 3 designers who are quite popular in Sierra Leone and beyond. I choose to begin this blog post with this disclaimer because this piece is dedicated to these 3 women and other up and coming Sierra Leonean designers who are talented, sassy, beautiful fashionistas , stylistists and business minded not to mention who have also made some news coverage (internationally). They are also predominatly BLACK, FEMALE, SIERRA LEONEAN and/or AFRICAN. This means the onus lays heavily on them to strategically develop their brand identity otherwise they WILL get lost in the wide wide sea of simply being just another 'African Designer'. I say this with the assumption that most well known African inspired designers work within the limited spectrum of 'fairly good quality fabrics'.
Take a moment, despite the short comings, to clap clap clap for them. It is not an easy business anywhere in the world, fashion that is, and particularly for African designers much less Sierra Leonean designers to break into main stream fashion/designing. To be fair African designers are HOT, HIP AND HAPPENING at the moment, with a select few breaking out with African owned establishments like ARISE that provide a high profile podium for designers to spark, or NY African Fashion week and all the other African based fashion week’s whether it be in South Africa or Ghana. Africans are beginning to capitalize on the ‘Afro-Inspired/Tribal’ aesthetic particularly appreciated in the West and in that are also beginning to not only infiltrate but attract more main stream support and appreciation for the Afro, African, chic, high end, print, cultural trend currently being marketed and sold by popular bloggers like ONE NIGERIAN BOY and the likes. However, African designers still remain very niched and rarely enter mainstream chain stores or platforms unless they subdue their African-ness. Also, their brand story is almost identical, African, African & Female, African female and empowering other women, African, young and female, African young & male/ or male and gay ----you get the idea, the underlying current in the their brand identity is African or situating the locality of their context, ie Madame Wokie's situates their brand identity on evoking their ancestral heritage - Queen Wokie, VIVID very afro-urban. Yet, what we get walking away from each of these brands is WOMAN, AFRICAN, SIERRA LEONEAN who more less use very similar materials in their work.

When in Nairobi, I kept on walking into a Mille Collines store, a Spanish woman who found inspiration in Rwanda and effectively catapulted into launching her high end brand with chain stores across East Africa. Her inspiration ‘the people of Rwanda,’ her market ‘ the African loving \westerns who won’t go too far off their comfort zone’, excuse me there, the fairly wealthy ‘expat westerners’ working in Africa or who love ‘African-inspired clothing’ living in Africa or the West. Hey, I too am guilty of spending $20 on a thin note book from Mille Collines, I liked the quote at the front. See Note Book above. I digress. The Mille Collines' model also exists in Freetown with brands like Near Far and Salone Style. Lets start with Near Far who have a wonderful website, fantastic connections to some major magazines and did I forget to mention, WHITE, okay, let us not play the race card here, people of Western decent....In short, Near Far considers itself an Ethical Brand based of out of Sierra Leone and according to Collins English dictionary if you "describe something as ethical, you mean that it is morally right or morally acceptable.” Please see summarized understanding of ETHICAL FASHION to base your understanding of the concept

1. Apart from the quarterly events where one can actually purchase NEAR FAR products, these products are predominantly for export. I don’t see people running around parading Near Far merchandise in Freetown the way for example they would with Madame Wokie products or clothing from Maryzo Designs. By people I mean, most economically viable Sierra Leoneans. NearFar is an ethical brand. I am so struggling to understand the ‘ethical’ part of the product. Is it because they pay their workers ‘fair wages’ with ‘fair’ being relative to context, uuuh…. Or is it because they tell the stories of their tailors (also a marketing ploy- effective at that), or is it because they have revolutionized the lives of their workers and transformed the Sierra Leonean local economy? Or because they’ve found a way to ~~not~~ use our Chinese made Africana prints that we sell very cheaply on every street corner in Sierra Leone and instead use ‘Eco-friendly’ made in Salone fabric? which by the way does not ACTUALLY exist. Also, according to Near Far founder, Stephanie Hogg, with her newest project Gather & See “she is determined to show the fashion forward set that ‘ethical’ is on-trend and wearable. Steph plans to create an online market place selling the best ethical brands from around the world.” For whom exactly? However Mary-Ann, Amizo, Kadi, here is a fantastic lesson to learn from this, perhaps revisit your branding strategy?

SALONE STYLE & NEAR FAR - STORE IN EUROPE

SALONE STYLE- PEPPERMINT MAGAZINE

PS. every Sierra Leonean designer employes between 5-10 tailors and pays them context 'specific fair wages', this is not the hook in their brand story.

Salone Style, I personally really like their pieces. They are lovely and definitely identifiable with western consumers. The ethos behind the company, working with and in turn empowering female prisoners by teaching them how to make jewelry. Noble, yet I fail to understand the chain of commerce, for every piece produced how much goes to truly empowering these women break the cycle of poverty by empowering them to become business owners or at the very least self sufficient. I understand that these women are earning SOMETHING which better than NOTHING, but how much are they really loosing or not getting between the SOMETHING and the NOTHING? See, my issue is this, the brand has a nice story, effective rather, women, African, prisoners, etc…and yet beyond that I still do not understand how these women are TRULY benefiting from this brand nor do I understand how this brand aids in tangibly transforming Sierra Leonean capacity, image or economy. Most Salone Style products can be found abroad.

Back to my Sierra Leonean designer sisters, what are brands like Near Far & Salone Style doing that you are not just getting yet? Why has Amizo not landed on Peppermint Magazine yet? Throw in Eco/ethical might help? Work better together? Better brand? How do you access these major main stream outlets from your Africaness? How do you define yourself beyond just ' an african designer' but rather a designer that simply makes beautiful clothing or accessories? Is your capital as strong as our expat designers?

Please understand that i am in no way shape or form laying claim that only 'African' designers should have access to African inspired designs, accessories, clothing or the proliferation of their products. What i am saying however is we must explore 'ETHICAL' from a local context, we must interrogate cultural appropriation and the gap it creates between local communities and international markets. We must begin to ask ourselves ( all i personally see is ______________ working at its best here), that beyond the notion of white privilege, what tactics, strategics and dots are brands like Near Far & Salone Style utilizing for their success? Better yet, when they slap on Eco, ethical, social development on to their products, from and for a local perspective what does that ACTUALLY MEAN?

Disclaimer II: This is not a them vs us article and I am open to stand corrected. However in the words of a facebook friend of mine:

“Next best culture to appropriate but oh no you are creating jobs eh? When is the last you checked your local unemployment rates? ..throw in eco, throw in fair trade...only fair i see is your white privilege...”

Fambul dem, this is how we do….

see my elation as i parked my car next to the once mounting pile of garbage that the inhabitants of Cuckuil Bay in freetown complacently live beside. Men were standing around, some sitting and watching into a non-existent far distance and some were bending down cleaning the remnants of a very large and i assure you, very large pile of "doty" that once served as a landmark for the area. I begin to take pictures, and the man sitting down asks me to introduce myself and my reasons for snapping the scene, he the self-proclaimed leader of this initiative must know my intentions. The man must be out of his mind, the fact that i was even standing their with some form of glee should be enough. Ha! i explained that i was happy that the community was finally cleaning the space up. He said the government gave them some money to do so. My smile disappears, it would have taken the government for me to want to get rid of that pile of pure and undiluted rubbish that was lazily sitting there for months on end. I leave the scene after some displays of vanity (see photos below) disappointed.